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Michael Rodriguez aka "The Rolling Stone"
The production and song structure of these are not bad. With production from BeatsByMantra and LTTB, songwriter Michael Rodriguez, who goes by the name of 'The Rolling Stone' pens an array of Mike Posner-like ballads.
Hash Sesay
Independent help Independent. Up and coming artists take advantage of collaborating with up and coming filmmakers. Especially if your from the east coast and need a music video, meet Hash.
Artist Statement: I am a Filmmaker based in NYC (Harlem). My interests include writing, directing, and curating visuals for music. I consider myself a "practical creative," one with artistic vision along with a deep understanding of logistics required to fulfilling that vision. I currently study film and video production at The City College of New York and I am a community producer at the Manhattan Neighborhood Network.
Will Porter- Finger Paint [Official Video] from Hash Sesay on Vimeo.
Directed by Hash Sesay
Taylor Vanae
While Tupac Shakur, Da Brat and Left Eye became heavy influences as a child, Taylor Vanae remembers growing up with a book in her hand at all times. She was required to read a book everyday and report to her mother all about what she had read. Needless to say, Taylor Vanae mastered reading and rapping at the same time. By the age of 10, Taylor Vanae walked into a music studio, boldly stood in front of a microphone and spit a dope lyrical rhyme that shook her whole family. It was then, that her mother realized her baby girl's electrifiying gift. Taylor would evolve her artistry throughout the years performing at open mic's and showcases throughout the southeast from Georgia to Florida. Taylor Vanae released her first mixtape “Black Card Street Credit, Mixtape Volume I” in 2013 which she wrote and produced. Since then, having shared the same stage with local big name arists she had admired growing up like Big Tigger, Da Brat and Jonica ‘Blu’, Biz Markie, Ying Yang Twins and more, Taylor Vanae continues to aspire to her legacy as an artist one hit after another...Read More
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@3rdAveBA on the keys @TAYLORVANAE on the rap vocals@evaerisofficial with the Soulful voice
— Diversal.org (@diversal1) April 15, 2017
Jammin' at #ASCAPEXPO @ascapexpo #Getemadeal pic.twitter.com/GodsKDqA1S
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(352) 396-4325
Enrique Infante & Dejavu Latin Fusion Rhythms
Enrique Infante, a Peruvian singer and songwriter now based out of Houston, Texas, plays guitar, drums, percussion and bass guitar. He has co-written music for a Children's theater Play titled "The Tree of the lost Orchard" in 1995 and a year later, went on tour to Europe with Los Mojarras; a famous Peruvian fusion band that recorded the soundtrack for a movie, "Anda Corre Y Vuela" ("Go, Run, Fly") that won first prize for a German Film Festival in 1996. He went on to play with a folk-Andean-fusion band named Puka Kuntur ("Red Condor" in the native Incan language of Quechua) for a few years, until establishing Dejavu Latin Fusion Rhythms in 2004 and touring the world ever since.
Or Follow him On:
Instagram: @kiqueinfante - LinkedIn - Flickr - Pinterest
or iTunes - Pandora Radio - Amazon - Last fm - CDBaby - Bandsintown
Search for: Enrique Infante Or Dejavu Latin Fusion Rhythms
When visiting the big Apple and navigating underneath this jungle, every now and then you may runn into the soulful voice from Geechee Dan. When you do, show some love!
Media
This Music Producer Credits "Brainstorm Music" to Producing these Unique Remixes
The minimalistic yet powerful sound Adele creates in her global hit “Hello” from her multi-grammy predicted album, 25, created such a void, that spawned thousands of music producers to recreate. For example like the video below, produced by Location, a small time music producer from New York.
Although continuouly adding more, Location’s close-to-200 instrumentals aren’t necessarily for pleasure-of-listening purposes, rather, they are constructed in a way for the project-oriented; musicians, filmmakers, or game developers, finding the perfect soundtrack to compliment a scene, a song, game, etc. So not only does this track intrigue with its certain instrumental absense, it does so, while blending vocal clips from Adele in “Hello” and Drake in “Come Thru”, so that it seems as though they are singing towards each other in conversation.
Aside from the critique of its length, once the blending happens so does the vibrance of the project, which begins to occur half-way of the track 3:30-4:00 minutes in. The first few minutes is basically a simple stripped down beat with the chopped sample clips, I guess acting as a buffer for the color the mix dives into.
(video)